Curse Dark as GoldThe short version of the summary: Rumpelstiltskin in eighteenth century, early Industrial Revolution England. The medium-length version of the summary: Charlotte and her younger sister Rosie are struggling to keep their family’s mill running and pay of the debts he ran up before he died, and a series of accidents only makes it worse. Sensible Charlotte refuses to listen to the villager’s talk of a curse, even through the mill has a history of accidents and none of the millers has had a son live to inherit the mill.

It’s exceedingly well-written and -characterized. In particular, Charlotte’s romantic relationship is believable, though odd for a modern reader; the pace of courtship is vastly different than what we’re accustomed to, and I think that was more blatant in this than in much historical fiction. Also, refreshingly, the romance is imperfect; they disagree, they shut each other out, they do the wrong thing when trying to do the right thing. They’re human, and we see where they’re coming from and can understand why they make the mistakes they do.

And the villains? Unclear of motivation at the start, bits and pieces fall together until, by the end, they are just as real as the heroine. The characters are also not divided neatly into hero and villain; there are people who are pretty nasty but do no particular harm, and others who are desperate or confused more than malicious, yet manage to do significant harm.

The fantasy/fairy tale elements are woven deftly into the mundane that defines so much of Charlotte’s world. The portrayal of village life in particular, with its belief in curses and hex-marks living quietly alongside the church, brings everything together such that the historical fantasy feels simple and almost self-evident.

I read a copy checked out from the New York Public Library.

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A Curse Dark as Gold ~ Elizabeth C. Bunce

The Humming of NumbersAidan is a novice, nearly ready to take his vows as a monk, despite some lingering difficult with obedience. Obedience may trouble him, but he’s learned not to mention the humming of numbers—he hears numbers buzzing from everything—lest he be accused of witchcraft. People hum low numbers—anxious, unpleasant ones; steadfast, loyal threes; confident eights— while animals and objects hum higher numbers.

Abruptly brought to the monastery for punishment, Lana hums an eleven, the highest Aidan has ever heard from a person. A beautiful, energetic, playful eleven. Lana is all of those things, not to mention highly knowledgeable of the less-mundane uses of wood—what protects, what threatens, what gives knowledge— and skilled at causing trouble for Aidan.

And then the Vikings come.

The writing is nothing special. Aidan’s way of perceiving the world is interesting and well-explained. Lana’s way of seeing the world, the way she senses trees and works with them, is less unusual but at least as interesting. Lana’s life is also more interesting than Aidan’s; he was a youngest son sent to a monastery because there would be no land for him, while she was the bastard daughter of the local lord, gifted nice things periodically but rarely enough to eat, raped—and probably impregnated and led to have an abortion— gossiped about as a noble but not respected as one. Unfortunately, we see Lana only through Aidan’s eyes, and the limitations of the writing keep her from becoming thoroughly fleshed-out and realized. We know she is energetic, trusting, and playful; but we’re not given enough to see how she maintains this lightness in the face of all she’s been through. She and Aidan both seem unrealistically young, for their ages and for their existences.

(Spoiler time!)

But they are in their late teens and this is YA about a somewhat-loner guy thrown together with a somewhat-loner girl in stressful circumstances, so there must be sexual exploration. Lana's part is done well; the combination of excitement and nervousness, and the survivor's need to know that she can say stop and her partner will listen. And Aidan does stop However:

“Couldn’t we . . . couldn’t you just hold me and that’s all?” . . .

“I don’t know if I can do that, Lana.” He made the mistake of looking over his shoulder at her. Just the shape of her form in the gloom and the prospect of feeling her skin against his once more sent a tingle along his skin.

A hopeful smile flicked onto her lips, not sure it should stay. “I can slap hands that travel too far.”

Glad that the wounded creature [upset Lana] had slipped back out of sight, he replied gentle, “I’m serious. I don’t think I can. You are too overwhelming up close. Better if I stay a short distance away”¹

Sorry, kid. Holding your girlfriend without the possibility of sex when you’re really horny is likely to be exceedingly frustrating. Difficult. Possibly even painful. But you can do it. You may decide it’s not worth it, but you can. And the implication in this passage that men really can’t control their impulses, that they’ll turn into rapists if their girlfriends want hugs but not sex, is ridiculous and insulting to men. It also perpetuates an untrue idea of why rape happens: because men cannot control themselves around beautiful women. And from there it’s easy to get to the slippery slope of “she was wearing a short skirt so it’s her fault.” In reality, rape is less about sex than it is about power.

It’s bizarre to see that attitude in a book that, in other place, deals well with issues of rape and of being a survivor. It’s possible that the mediocre writing is to blame, that the author meant Aidan’s “I don’t think I can” to mean “I don’t think I can without being exceedingly uncomfortable” instead of “I don’t think I can without forcing sex on you.” As written, it comes across questionably at best.

(No more spoilers!)

Otherwise, it’s a quick, relatively fun, if unexceptional, book.

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¹p. 176-177

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The Humming of Numbers ~ Joni Sensel

Demon King Cinda Williams ChimaPrincess Heir Raisa is trapped: expected to behave well and not make a fuss, to make a politically expedient marriage, to be politically and socially close to wizards but not to marry one, to balance her mountain clan-bred father and her flatlander mother. Han is also trapped: by his mother’s low expectations, by lack of money, by the temptation to reenter a lucrative but dangerous criminal lifestyle, by the silver cuffs on his wrist which make him instantly recognizable and are impossible to remove. The summer they both turn sixteen—and thus become adults—things get worse: the political intrigue thickens, gang members are found tortured to death. Even in the clan’s camps, where both Raisa and Han have found comfort and friendship, there is dissension and strain.

This is another book that I read two-thirds of the way through and then realized that it had to be the first in a trilogy. Seriously, people who write copy for ARCs, if it’s not a standalone, the ARC copy should say so. Seriously. I checked on Google; it’s listed as “Volume 1 of Seven Realms Trilogy.” Good to know.

It’s solidly written, with characters who are true to type but still interesting. The society is also well done, with the city and its economic inequality countered by the clan camps, which are more egalitarian on the surface but have their own immutable rules. Though city and camp societies are well-drawn, the wizards are quite flat; luckily, the direction she seems to be taking the story at the end of this volume leave open quite a bit of potential for interesting wizard-development in the second and third books. Issues of loyalty, personal choice, and the imperfect way events are remembered as history give the fantasy some extra depth.

I was given an ARC by my mother, who works at a bookstore.

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The Demon King ~ Cinda Williams Chima

When You Reach Me Rebecca SteadThe 1978-1979 school year is perfectly normal for Miranda. Except that her best friend stopped speaking to her, there’s an apparently crazy man who sleeps with his head under the mailbox on her corner, a naked man is seen running by her school on several occasions, and weird things keep happening. Like her spare house key goes missing and three days later she finds a note asking her to write a letter in which she mentions the location of her spare house key.

When You Reach Me is very good. The writing is excellent and the eye for detail is amazing. The mystery aspects, mysterious and mundane—what’s the deal with the strange notes Mira gets? Why did Marcus punch Sal? What’s up with Annemarie and Julia?—are dealt with well, with excellent pacing and delicacy. It doesn’t just balance the ordinary life and the time travel elements; it melds them. I found the discourse on time-travel a bit tedious, especially as Mira was stubbornly not getting it, though it did serve to establish how time travel works in this narrative.

This was almost a one-sitting book for me. It wasn’t, partly because airplane turbulence plus fasting (it was Yom Kippur) does not equal happy reading time, and partly because I was enjoying it so much I didn’t want to be done with it. That said, had there not been jostling to disrupt my reading, I probably wouldn’t have been able to pull myself out of the book and pace myself.

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When You Reach Me ~ Rebecca Stead ~ Rebecca Stead’s Blog

The Penderwicks on Gardam Street Jeanne BirdsallFollowing the gentle, nostalgic lead established in The Penderwicks, The Penderwicks on Gardam Street escorts the titular family back from summer vacation and into another school year. The four sisters—Rosalind, age 12; Skye, 11; Jane, 10; and Batty, 4—are faced with life after a first crush; boring homework; sneaky chances to avoid said boring homework; a new game of Secret Agents with a new target; a new soccer season; and neighbors, both new and old. On top of all this, their Aunt Claire comes to visit, bringing scary news in the form of a letter from the girl’s mother, who died shortly after the youngest was born. Their mother, afraid her husband would get lonely, asked his sister to make sure he started dating again after a few years. Now, Aunt Claire says, it’s time. Faced with the specter of an Evil Stepmother, the girls put into place the Save-Daddy plan.

It’s a delightful little book. The issues are fairly mundane, but the family’s way of describing and dealing with their problems are creative and thoroughly entertaining. All the characters have strong, distinct personalities, and their responses to crises are tailored to their personalities. This does not, however, prevent the book from acknowledging some universal truths, like that macaroni and cheese makes people feel better. (If necessary, substitute the vegan/gluten free/lactose free comfort food of your choice into the sentence above.) This book, like its predecessor, is the literary equivalent of macaroni and cheese.
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The Penderwicks on Gardam Street ~ Jeanne Birdsall ~ Jeanne Birdsall’s Blog
My review of The Penderwicks

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