Demon King Cinda Williams ChimaPrincess Heir Raisa is trapped: expected to behave well and not make a fuss, to make a politically expedient marriage, to be politically and socially close to wizards but not to marry one, to balance her mountain clan-bred father and her flatlander mother. Han is also trapped: by his mother’s low expectations, by lack of money, by the temptation to reenter a lucrative but dangerous criminal lifestyle, by the silver cuffs on his wrist which make him instantly recognizable and are impossible to remove. The summer they both turn sixteen—and thus become adults—things get worse: the political intrigue thickens, gang members are found tortured to death. Even in the clan’s camps, where both Raisa and Han have found comfort and friendship, there is dissension and strain.

This is another book that I read two-thirds of the way through and then realized that it had to be the first in a trilogy. Seriously, people who write copy for ARCs, if it’s not a standalone, the ARC copy should say so. Seriously. I checked on Google; it’s listed as “Volume 1 of Seven Realms Trilogy.” Good to know.

It’s solidly written, with characters who are true to type but still interesting. The society is also well done, with the city and its economic inequality countered by the clan camps, which are more egalitarian on the surface but have their own immutable rules. Though city and camp societies are well-drawn, the wizards are quite flat; luckily, the direction she seems to be taking the story at the end of this volume leave open quite a bit of potential for interesting wizard-development in the second and third books. Issues of loyalty, personal choice, and the imperfect way events are remembered as history give the fantasy some extra depth.

I was given an ARC by my mother, who works at a bookstore.

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The Demon King ~ Cinda Williams Chima

When You Reach Me Rebecca SteadThe 1978-1979 school year is perfectly normal for Miranda. Except that her best friend stopped speaking to her, there’s an apparently crazy man who sleeps with his head under the mailbox on her corner, a naked man is seen running by her school on several occasions, and weird things keep happening. Like her spare house key goes missing and three days later she finds a note asking her to write a letter in which she mentions the location of her spare house key.

When You Reach Me is very good. The writing is excellent and the eye for detail is amazing. The mystery aspects, mysterious and mundane—what’s the deal with the strange notes Mira gets? Why did Marcus punch Sal? What’s up with Annemarie and Julia?—are dealt with well, with excellent pacing and delicacy. It doesn’t just balance the ordinary life and the time travel elements; it melds them. I found the discourse on time-travel a bit tedious, especially as Mira was stubbornly not getting it, though it did serve to establish how time travel works in this narrative.

This was almost a one-sitting book for me. It wasn’t, partly because airplane turbulence plus fasting (it was Yom Kippur) does not equal happy reading time, and partly because I was enjoying it so much I didn’t want to be done with it. That said, had there not been jostling to disrupt my reading, I probably wouldn’t have been able to pull myself out of the book and pace myself.

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When You Reach Me ~ Rebecca Stead ~ Rebecca Stead’s Blog

Bloodhound Tamora PierceBloodhound is Tamora Pierce’s second book about Beka Cooper, an ancestress of a character in her other books set in the world (referred to from here out as “Tortall books,” as Tortall is the central country). Beka has finished her Puppy year—a year of training to become a member of the Provost’s Guard, the police force well endowed with canine slang—and is starting her first year as a full Dog. What starts out as a bad fall in the Lower City due to a poor grain harvest becomes worse when counterfeits start showing up in the money system—lots of counterfeits. The investigation sends Beka into Port Caynn, a harbor city full of extra-corrupt Dogs and extra-bold Rats.

Tamora Pierce has been a source of comfort-reading for me since I was twelve or so. I’m not sure how many times I’ve read some of her older books, but… more times than I’ve read Harry Potter and the Prisoner of Azkaban. A lot. None of her books are amazing and there is some variation in quality, but they are by and large good, enjoyable stories. They feature appealing, entirely non-wimpy characters, many of them women, and there’s a decent smattering of LGBT characters and characters of color. I freely admit that I have a soft spot in my heart for Tamora Pierce, so season this review with as many grains of salt as you feel necessary. (Mmmm. Tasty salt.)

The major flaw in the Beka Cooper books comes from the narrative style she chose: journal-style. Dogs are trained to have excellent memories, so after all her adventures Beka comes home and writes them out in her journal, in great detail. Mostly this works, and the level of detail seems appropriate to a police procedural. Yet, for some unfathomable reason, she feels it necessary to throw in gimmicks. Inkblots; paw-prints where her cat walks over the page; words misspelled, crossed-out, and rewritten when Beka is tired. They distract from the story far more than they enhance it.

Fortunately, the gimmicks are widely spread through a book that is otherwise one of her best. Beka’s an appealing character, forthright and prickly. The police work is appropriately gritty and the investigation accelerates in a compelling way as they get closer to the truth. The romance is believable and enjoyable but stays secondary to the main plot and is not viewed through rose-colored glasses.

It’s particularly interesting to look at the Beka Cooper books, especially this one, in comparison to her other Tortall books. It’s set several hundred years earlier, and the difference in gender dynamics is amazing. In the books set later, women are fighting to gain equal status and rights, and to be accepted as warriors. In these, women are just starting to lose equal status, rights, and acceptance as warriors. The pendulum swings. The books from the later time period are generally set in and around the palace and nobles; not every character is a noble, but many are, and the rest interact with nobles on a daily basis. These books are set in a thoroughly lower-class part of town, with nobles showing up only occasionally. Between the gender and class differences, the attitudes among the characters toward money, family, loyalty, noblesse oblige, sex, and marriage are simultaneously quite different from her other Tortall books and yet entirely consistent with them. It’s really cool! I love it when authors put thought and effort into their worlds.

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Bloodhound ~ Tamora Pierce

Nation Terry Pratchett Book CoverIn the 1870s, a tidal wave sweeps through the South Pacific. Mau is the only person left alive of his island Nation, and Daphne is the only person left alive on a British ship, conveniently wrecked on the same island. The two must stay alive, deal with their traumas, figure out what the Rules — of life, or society — are when no one else is alive to obey them, and, eventually, hold together the group of survivors that coalesces as, one by one, those who survived the wave find the ocean.

I haven’t read much Pratchett, but Nation adds fodder to my suspicion that I like his books when they’re silly and am frustrated by them when they’re dealing with serious issues. Nation is dealing with serious issues: grief, trauma, adulthood/life transitions/coming of age, independence, the existence of evil and the crisis of faith that can come after a disaster. This last is probably the main focus of the book, and probably my largest frustration. I felt like I was being hit over the head with Mau’s lost faith. To be fair, Mau probably felt like he was being hit over the head by his sudden disbelief in the gods, or at least their goodness, but it still made me want to skim instead of read. Worse, Mau has supernatural experiences and makes no attempt to reconcile them with his belief or disbelief in the gods. There is no questioning of these experiences, no looking at them in relationship to the existence or nonexistence of gods (or vice versa). Mau’s personality and his ability to doubt the gods is explained by a childhood inquisitiveness, a habit of asking difficult questions, and yet he inexplicably stops asking those questions.

“But wait! You mentioned another main character,” I hear you say. “What about this Daphne?” What about her? She seems to exist to prompt events more than to be a character. Actually, most of the women fit that description; they’re there, they occasionally do important stuff, but really, it’s about men trying to define and control their world. Plot-wise, I can partly excuse this as a reflection of both nineteenth-century British society and the Nation’s society; both are largely homosocial and patriarchal. Characterization-wise, it’s hard to excuse.

And the epilogue has one of the worst cases of Profundity Syndrome I’ve ever seen.

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Nation (Google Books) ~ Nation (Wikipedia)

Where the Mountain Meets the MoonMinli is a happy, creative, smart child living in a small, very poor village with her storytelling father and her dissatisfied mother. Minli decides that she will change her family’s fortune by speaking to the Man of the Moon – guardian of the Book of Fortune and a key figure in her father’s stories – and, after getting directions from a goldfish, off she goes. On her way, she makes various friends, each of whom tells her another in a set of interlocking tales.

Based on Chinese folklore, Where the Mountain Meets the Moon is a short, sweet, ultimately satisfying book. The stories interlock in small, clever ways, and Minli’s quiet earnestness prevents keeps her from becoming annoying. Her parents’ growth during her absence is a bit more heavy-handed, but believable and also sweet. I haven’t read much Chinese mythology, and this made a lovely introduction.

June 2009

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Where the Mountain Meets the Moon ~ Grace Lin

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