James Kennedy the Order of the Odd-Fish Book CoverIt’s not that Jo’s life was normal—she did, after all, live with a former movie star who once disappeared for 40 years and reappeared minus her memories; and Jo herself was found as an infant in the actress, Lily’s, washing machine with a note warning that she was a DANGEROUS baby—but it was fairly boring. Then a strange man showed up talking about his digestion, accompanied by a rather dapper—perhaps even dashing, possibly debonair, and certainly dandyishly dressed—cockroach, and before they know it, Jo and Lily are swallowed by a fish and spat out in Eldritch City. With their memories restored, Lily, the strange man, and the cockroach are readmitted, and Jo admitted, into the Order of Odd-Fish, a society of ditherers dedicated to collecting dubious data.¹ This is all well and good. Less well and good is that Lily et al were exiled, their memories removed, in relation to an incident thirteen years before in which a large portion of the city was destroyed due to the birth of a baby. A DANGEROUS baby. A DANGEROUS baby who, it is prophesied via TV show, will soon return as the Ichthala and finish destroying the city—nay, the world.

Eldritch City is a place of traditions, rituals, and festivals. Kennedy is at his most brilliantly inventive with the charters², gods³, projects4, and the like that characterize life in the city. Unfortunately, sometimes his creativity seems to run away with him:

‘[They] first have to give the girl some of the powers of the All-Devouring Mother. They do this by putting some of the All-Devouring Mother’s blood in her. . . . His…stinger,’ she said. ‘I know it doesn’t make sense, but the show says he grows a stinger, or beak, or some kind of second nose somewhere inside him.’ 5

Holy disturbing rape imagery in a children’s book, Batman! And then he makes it worse: “His gigantic purple nose was runny and engorged, a shapeless mass of skin and fat and veins.”6 Robin, what have I done to you?7

Deep breath. Moving on.

Jo’s isolation and anxiety are extremely well done. She has great friends and loves her life in Eldritch City, but she can never tell them who she really is. They, along with most everyone else in Eldritch City, declare themselves to hate the Ichtala and to want to destroy it. So Jo goes along for a while, happy and absorbing in her life with the Odd-Fish, until a random comment sends her into paroxysms of fear and loneliness; the fear and loneliness fade in the face of everyday life, only to rear up again a little stronger at the next comment or reminder. Unable to talk to anyone, she quietly panics while those around her discuss the evil she supposedly caused, will cause, and will experience.

The threatening stuff is mixed. On the one hand, the religion behind the Ichthala and those who actually want her to come destroy the world does make sense. Destructive and eschatological, yes, but logical and even beautiful (in the mathematical sense). On the other hand, the villains are not particularly interesting and are particularly annoying. They’re both trying too hard: one to be evil, the other to be funny. In their failures, they don’t produce schadenfreude; they produce embarrassment. And I really hate vicarious embarrassment.

The author is, i think, an Odd-Fish: “‘As an Odd-Fish, it is not my job to be right,’ said Sir Oort. ‘It is my job to be wrong in new and exciting ways.’”8. Mostly right, somewhat wrong, The Order of Odd-Fish is certainly new and exciting.

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¹ In case you were wondering, yes, the alliteration is necessary, and yes, it has precedent in the book.
² “‘”It is an appendix of dubious facts, rumors, and myths,”‘ recited Colonel Korsakov. ‘”A repository of questionable knowledge, and an opportunity to dither about.” That’s from our charter.’” pp. 85-86.
³ Quafmaf, the Pigeon of the Moon; Nixilpilfi, the Gerbil Who Does Not Know Mercy; Mizbiliados, the Bleeding Butterfly; Pzarnarfalasath, the Rhinoceros Whose Laughter Destroys Worlds; and 144,440 more. pp. 262, 261.
4 “‘As you know, my specialty is unusual musical instruments,’ announced Sir Alasdair. ‘And for all my life, I’ve dreamed of playing the most unusual instrument of all: a living animal!’” p. 175.
5 Pp. 243-244.
6 P. 246.
7 From an actual golden age comic.
8 P. 175.

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The Order of Odd-Fish ~ James Kennedy

Starclimber by Kenneth Oppel a sequel to Airborn and Skybreaker steampunk alternate history YA novelFollowing Airborn and SkybreakerStarclimber begins with our hero, Matt Cruse, piloting a construction airship² working on the Celestial Tower—the French’s attempt to build a tower to outer space—and trying to sneak as much time as possible with his ill-chaperoned Object of Affection, Kate de Vries. Soon enough, however, Matt and Kate are offered a chance to go to space themselves—in Matt’s case, he can go if he passes a rigorous training progam; in Kate’s case, she can go if she first becomes engaged to a wealthy upper-class eligible bachelor.

Now, if one is to write a steampunk novel about the first expedition to space, dealing heavily with the mechanics of this expedition, one must get one’s physics right. By and large, Oppel does an admirable job. The spaceship has every right to work, the difficulties maneuvering while weightless, all that works. Which makes it all the more jarring when he gets it wrong. One such moment: “Speed was virtually impossible to discern up here. With only the distant earth as a reference point it always seemed we were motionless.” So far, okay; at constant speed in a frictionless environment, that’s true. But then, “Only the pitch of the chip’s rollers told me we were moving at all—and right now, that we were decelerating from a hundred twenty auroknots.”³ Not so much; acceleration and deceleration produce an effect akin to gravity. If they’re decelerating (from downward motion), he should be pressed against the floor. Much more noticeable than something you see by looking out the window. In another case, one of the major crises does not make sense because the physics is not right. This makes me sad.

But if I only read sci-fi in which the science was impeccable, I would not read much sci-fi,4 and this one has a lot going for it. The first two books are lighter on the steampunk/sci-fi; this one flawlessly integrates those elements with the well-built alternate history and maintains their sense of whimsy and discovery. The writing is excellent, moving along at a fast pace through much adventure without losing sight of the emotional lives of his characters. And those characters? Fully human and fleshed-out. Kate is particularly well-done; she is discomfitingly ruthless—this girl would be a Slytherin—but she’s also sympathetic. As an aristocratic woman, she’s privileged but hemmed-in. She freely states her disdain for class distinctions, but demonstrates a thoughtless belief that people will—and ought to—do what she asks them to without question. A suffragette, she believes in fighting for women’s rights, but relies on Daddy to bail her out when she gets in trouble. She has had to fight for her right to go to university and is still fighting to be accepted by the scientific community, but she doesn’t always appreciate the struggles working-class Matt has had to go through to get where he is. She’s a complex, flawed character, and she’s in good company.

All that’s not going to make me forgive the bad physics, per se; but it will make me recommend the book in spite of the bad physics.

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¹ Both of which I read before I started this blog, so I haven’t reviewed them properly. That said, they’re excellent.
² Airship, not airplane; zeppelins are the default air transport in this alternate-history.
³ p. 335.
4Though I prefer it when it’s unapologetically, blatantly wrong to when it tries to be right and fails.

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Starclimber ~ Kenneth Oppel

battle of the labyrinth percy jackson and the olympians book 4 rick riordanWriting reviews of middle books in a series is hard! There are so many early-book spoilers one wants to avoid, and one has already said many of the important things, and one doesn’t yet have perspective on the overall plotting and pacing. Humph.

Anyway, this is book four out of five of the Percy Jackson and the Olympians series (after The Lightening Thief, The Sea of Monsters, and The Titan’s Curse). It’s summer again, so Percy’s ready to head back to Camp Half-Blood where he plans to spend the summer working on his combat skills with other kids of mixed (half mortal, half Greek God) descent. And perhaps go on a quest and deal with the latest stage of the big, dangerous conflict started in the earlier books. He’s a bit thrown off by some changes—an alliance between formerly at-odds campers, a new combat teacher—and by some constants of teenage life—he’s not quite sure what to make of either young woman in his life, though they’re quite sure what to make of each other—but off he goes, into the Labyrinth. The one built by Daedalus that originally had a minotaur in the center, of course.

It continues to be good, solid modern mythology. Guilt and grieving are more prevalent in this volume than in the previous ones, and Percy and his friends are distinctly growing up and taking on more responsibility. Interestingly, while he successfully takes on extra responsibility and handles violence, danger, and the omnipresence of death, Percy still seems emotionally young in comparison to his female contemporaries and his two close non-human friends. He’s a fifteen-year-old boy, so this makes sense, but it still adds an interesting element to the book and makes Percy’s moments of emotionally maturity more meaningful.

And now I’ve just one more left to read.

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Battle of the Labyrinth ~ Rick Riordan
My reviews of The Lightening Thief (Book 1), The Sea of Monsters (Book 2), The Titan’s Curse (Book 3), and The Last Olympian (Book 5)

Firestorm Caretaker Trilogy David KlassJack Danielson has lived an ordinary life – pointedly so, in fact; his father reins him in every time he risks getting grades too good, winning sports too much, or otherwise calling attention to himself. When he ignores his father’s well-meant advice and breaks a league record in football, he’s suddenly on the run, with a telepathic dog for company. A few mysterious and dangerous women pop in from time to time, plus some monsters and visions, as Jack slowly learns that he has to save the Earth from humans before we completely destroy the environment.

It begins: “Halloween week in Hadley-by-Hudson. Senior year of high school. Nine in the evening. Had enough sentence fragments? My English teacher said they are a weakness of mine.”¹

I’ve got to agree with his English teacher: they are annoying. As is his habit of saying “Look that one up in the dictionary, my friend”² every time he uses a word of four syllables of more. He clearly thinks this highlights his vocabulary and extensive SAT prep; really, it would be more impressive if he wasn’t saying, basically, “I learned this word special!” Plus, it makes him come off as a pompous asshole. Which is pretty accurate, but did create some extra distance between me and the book. I cared about Jack’s mission; I neither liked nor cared about Jack.

Obnoxious narrator aside, it’s a pretty good book. A lot happens, but everything gets enough time. Similarly, it’s the first in a planned trilogy; the ending leaves no doubt that there’s more to come, but it isn’t a jarring stop. The environmentalism is dealt with well; it shows the damage we’re doing to the Earth, rather than preaching. It also recognizes that most people are not willfully contributing to the damage, but do accept the status quo without asking difficult questions. Personally, between Firestorm and Mark Bittman’s recent article on finding fish one can buy ethically,³ I’m rather glad to be vegetarian. Makes life simpler.

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¹p. 3
²p. 4; variations abound throughout the text.
³conveniently published the day after I finished Firestorm. Clearly, the universe really wants me to get this point.

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Firestorm ~ David Klass (Wikipedia)

Vampirates Book 4 Black HeartI picked up a copy of Vampirates: Black Heart and only realized when I was about to start reading that it’s not the first volume in a series, as I had thought, but the fourth. Oh well! I read it anyway. I’m really not sure I was missing much, though my synopsis might be a bit vague.

Twins Grace and Connor have found themselves in some strange circumstances since their father died, their mother having died – more or less – when they were infants. I gather there was a shipwreck, and they were rescued by pirates – Connor – and Vampirates – Grace. Each was immediately attracted to the lives of their rescuers, Connor joining a pirate crew and Grace befriending the Vampirates. At the beginning of this volume, they’ve been briefly reunited and are in position to learn about their mother and her history. Also to get embroiled in internal Vampirate politics and a possible clash building between the mortal Pirates and the Vampirates and deal with first romance, them being fourteen and this being a vampire book.

I was not expecting either great writing or a great plot. I was rather hoping for a trashily fun book, with swashbuckling.

I am sad to report that there is decidedly little swashbuckling.

There are, however, rather a lot of exclamation points, often at rather inappropriate times. For instance, a character who is supposed to “come across as an old curmudgeon”¹ should not use exclamation points. Ever, really, much less often. On a similar vein is, “‘No!’ Cheng Li said very calmly.”² On cannot, by definition, exclaim calmly.

The pirates are overly civilized, the good Vampirates are boring, and the evil Vampirates are unconvincing in their evil. The strange lapses of sense³ could be somewhat forgiven by fun and swashbuckling, but alas, both are lacking.

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¹p. 412
²p. 491
³Why is a character who’s supposed to be kept out of combat being trained for a deadly combat mission? What is up with the “pregnancy spell”? How is the idiot character better at negotiation than the intelligent captain?

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Vampirates: Black Heart

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